In Theaters and Digital

Raise a Glass to Love (2021) is one of those Hallmark movies that knows exactly what it is — comfort food cinema with a wine-country filter. Directed by David Weaver, it stars Laura Osnes as Jenna, an ambitious sommelier licking her wounds after a career stumble   ...

You think you’ve seen this kind of documentary before. Quiet forests, ominous music, someone talking about “energy” in the land. From the Beyond: High Strangeness in the Bennington Triangle starts there—sure—but it doesn’t stay put. It sort of   ...

Groundswell is one of those Hallmark movies that sneaks up on you. You settle in expecting a pleasant little escape, and suddenly you’re watching a film that actually understands how to use its setting, its cast, and its emotional beats without drowning everything in    ...

There’s something deliciously off about Normal, the kind of off that makes you grin before things inevitably go sideways.  Directed by Ben Wheatley and written by Derek Kolstad (The Nobody and a couple of the ...

3 Bed, 2 Bath, 1 Ghost is one of those Hallmark surprises that sneaks up on you with a premise that sounds gimmicky but ends up being genuinely charming. The story follows Anna, a real estate agent desperate for her first big sale, who discovers her listing comes    ...

This isn’t your grandfather’s detective story.  A sly, crooked grin of a murder mystery, The Dummy Detective plays like Clue and Knives Out got snowed in together and decided to stage a talent show for sociopaths. Sean Young (Blade Runner) brings icy ...

Shifting Gears is the kind of Hallmark movie that slides in at a confident 3 crowns out of 5 crowns, the cinematic equivalent of a well‑worn hoodie: soft, familiar, slightly stretched out, and somehow still comforting. The premise is classic Hallmark chaos — Jess Barro    ...

There’s something deceptively simple yet downright unnerving about Exit 8, the latest film from director Genki Kawamura (April, Come She Will), who works alongside co-writers Kotake Create and  ...

Love of the Irish lands squarely in that Hallmark comfort‑movie zone where you know exactly what you’re getting, and you’re fine with it because sometimes the brain just wants a soft, cozy narrative that doesn’t demand emotional heavy lifting. Director Ali Liebert and writer Justin D. James    ...

Nobody told me the apocalypse was going to be so boring.” There’s no shortage of zombie rot clogging the cultural arteries—films, shows, prestige decay with better lighting—but Didn’t Die doesn’t shuffle  ...