In Theaters and Digital

Zak Hilditch’s We Bury the Dead crawls into the zombie genre with more than just a craving for human brains. It’s dragging grief, guilt, love, and an Australian sense of place, while somehow managing to make all that metaphorical baggage look easy. In a movie world where  ...

Shifting Gears is the kind of Hallmark movie that slides in at a confident 3 crowns out of 5 crowns, the cinematic equivalent of a well‑worn hoodie: soft, familiar, slightly stretched out, and somehow still comforting. The premise is classic Hallmark chaos — Jess Barro    ...

Amy Berg’s It’s Never Over, Jeff Buckley plays like someone finally sat you down and said, “Okay, here’s the real story — not the myth, not the Tumblr version, the human one.” And honestly, it works. You can stream it on HBO / Max, which feels about right for a documentary   ...

Love of the Irish lands squarely in that Hallmark comfort‑movie zone where you know exactly what you’re getting, and you’re fine with it because sometimes the brain just wants a soft, cozy narrative that doesn’t demand emotional heavy lifting. Director Ali Liebert and writer Justin D. James    ...

There’s a particular electricity to the early ’90s that you can’t fake — that mix of restlessness, sincerity, and cigarette‑smudged ambition that lived in every club, every rehearsal space, every half‑finished song. Amy Scott’s documentary Counting Crows: Have You Seen Me  ...

Love on the Amazon is one of those Hallmark outings that makes you blink twice and go, “Wait… did they just try something new?” And the answer is yes — gloriously, refreshingly yes. Instead of the usual cookie‑cutter pairing of a small‑town baker and a big‑city    ...

Directed by Nicholas Michael Jacobs—whose works include Night (2019), Urban Fears (2019), Tales from Six Feet Under (2020), and Genevieve (2021)—CAPA Ghostbusters: Director’s Cut feels like a full-circle moment for the filmmaker, and that’s pretty damn   ...

A Picture of Her, written by Donald Davenport & Jeff Wood, is one of those Hallmark romances that sneaks up on you with a sunny, easygoing charm. It’s light, warm, and confidently simple in a way that feels intentional rather than predictable. I’d still place it at a    ...

The film actually kicks off with the “Big Guy” gag — a classic Bikini Bottom hustle where SpongeBob tries (and fails) to convince the universe he’s finally grown into someone who can handle capital‑A Adventure. It’s goofy, it’s fast, it’s proudly unserious, and it immediately   ...

Always Amore is one of those Hallmark romances that leans into comfort, sincerity, and a little culinary magic, and honestly, it works. The story centers on Elizabeth (Autumn Reeser), a widow fighting to keep her late husband’s Italian restaurant alive. The    ...