Producer David F. Friedman and director Byron Mabe occupy one of those peculiar corners of exploitation cinema where enthusiasm consistently outruns money, good taste, and occasionally basic narrative logic. The Acid Eaters (1968) and ...

Andrew Lloyd Webber may have turned The Phantom of the Opera into one of the most recognizable musicals on Earth, but for horror fans, there has only ever been one Phantom. ...

There are horror movies about killer dolls, and then there is Dolls, a movie that looks at the inherent creepiness of tiny porcelain people staring at you from a shelf and says, correctly, those little fuckers absolutely come alive after midnight. Stuart ...

Child begins with a question that sounds almost too easy: how far would you go to save your dying son? Most parents would answer without hesitation—any distance, any cost, any sacrifice. Writer-director Cyrus Neshvad understands that the  ...

Nearly three decades after The Blair Witch Project helped permanently alter the language of low-budget horror, some of the people responsible for that film return to the found-footage format with The Influencer Project. Blair Witch co-creator Eduardo Sánchez and  ...

Apparently, the West wasn't wild enough already, so Universal gave it a vampire. And somehow Curse of the Undead works considerably better than that description has any right to suggest. Watching it in 2026 as part of Umbrella Entertainment's ...

There are movies that predict the future, movies that warn us about the future, and movies that assume the future will involve a human short-order cook beating the living shit out of rubber aliens for money. Arena belongs proudly to ...

By the power of Grayskull! There are movies we defend because they are secretly better than their reputations, and then there are movies we defend because their flaws have somehow become inseparable from everything we love about ...