Daniel Roher's Tuner is one of those wonderful little surprises that sneaks up on you. It begins as an intimate character study, slowly transforms into a nail-biting crime thriller, flirts with romance, and somehow manages  ...

David Robert Mitchell’s The End of Oak Street is the kind of late-summer popcorn movie I thought Hollywood had forgotten how to make: big, weird, funny, occasionally terrifying, and completely committed to showing  ...

A low hum emerges from the void—distant, mechanical, almost celestial. It swells into a vast orchestral surge, as if some unseen force is breathing life into the cosmos itself. Flickers of melody spiral like  ...

You know what I love about House of Frankenstein? It doesn't care. It doesn't care that the plot is completely bonkers. It doesn't care that Dracula, Frankenstein's Monster, and the Wolf Man all somehow wind ...

Some sequels arrive to cash in on nostalgia. Others spend two hours reminding you why you fell in love in the first place. TRON: Legacy somehow pulls off both. Fifteen years after my original review, Joseph Kosinski's neon-drenched ...

TRON still feels like it crash-landed in 1982 from a future Hollywood still hasn't completely figured out. Watching it today is less about marveling at how accurately it predicted the internet and more about appreciating ...

More than three decades later, Frank Henenlotter's Frankenhooker hasn't mellowed with age. If anything, it has become even more gloriously unhinged. His 1990 parody of Mary Shelley's Frankenstein remains ...

There is something wonderfully unhinged about putting Judy Davis, Miriam Margolyes, and Jacki Weaver together, dressing them as nuns, throwing a kid into their orbit, and then sending the whole damn operation  ...