CAMP is the kind of horror movie that doesn't announce itself. Writer-director Avalon Fast eases us into Emily's world through friendship, campfire conversations, and the uneasy hope that a change of scenery  ...

Seven years after Obscene Majesty, I expected Devourment to return eventually. What I didn't expect was a three-song EP that sounds this vicious. Pious Impiety isn't some nostalgic victory lap from one of Slam's  ...

God, I missed this movie. Whenever someone asks me about the often-misunderstood horror-comedy subgenre, Slither is still the first title I throw at them. It's the perfect gateway drug: hilarious, disgusting, endlessly quotable, and ...

I've always thought Venom's biggest strength was that they never seemed to care what anyone expected from them. Plenty of bands from their era either mellowed out, cleaned themselves up, or turned into museum  ...

There have been a lot of UFO documentaries over the years, and most of them fall into one of two camps: They promise answers they can't deliver, or they lean so heavily into skepticism that they lose the wonder  ...

The best thing about Steven Spielberg: The Spotlight Collection is that it reminds you how restless he was as a filmmaker. One movie terrifies you. The next one breaks your heart. Then he turns around and ...

Crate diggers, unite. Here’s how Deadwax Noir opens—no grand overture, no fireworks. Just a figure slipping back into frame. Sonny Rollins disappears for three years at the tail end of the ’50s—walks away at his peak—and ...

As the opening film in Steven Spielberg: The Spotlight Collection, Jaws feels less like the first chapter of a career retrospective and more like a detonation. Before the aliens, before the dinosaurs, before the archaeologists ...