In Theaters and Digital
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- By Christopher Symonds
As a lifelong reader of DC Comics, this newest entry into the DCEU should be a momentous occasion: the first film ever to depict all their marque characters together on the big screen. Having left the movie a couple of hours ago, if I had to sum up Justice League in one word, ...
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- By Loron Hays
A broadcast baking show gets roasted in Cook-Off!, a not-so-new comedy opening in select theaters and On Demand everywhere this Friday. Originally filmed in 2007, Cook-Off! has long been baking in the oven. Inexplicably so, it seems, too. ...
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- By Frank Wilkins
Say what you will about Lyndon Baines Johnson. Yes, he was ornery. Yes, he was bullish. And yes, he was probably one of the most foul-mouthed and crude presidents in our nation’s hist... well, er... never mind. ...
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- By Loron Hays
What wickedness we do in utero! Burning with an intensity that speaks volumes, the opening ten or so minutes of Let Her Out might just very well be one of my favorite cinematic experiences this season. Writer/Director Cody Calahan and ...
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- By Frank Wilkins
If the Coen Brothers don’t follow through with a script of their own, there’s probably a good reason. That’s the take-away after fighting through the confusion and frustration of what just happened in Suburbicon ...
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- By Loron Hays
Social media and serial killers don’t necessarily go hand in hand. They will soon enough. Trust in that nonsense. Facebook “factoids” will be the death of us all. With a satirical edge to its tweets and a gleeful embracing of some severe wickedness, Tragedy Girls, a new horror ...
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- By Loron Hays
Awful. Just awful. And, truly, it didn’t need to be this way. Don’t Sleep is, at its core, an intelligent idea for a new horror story. I won’t and can’t fault writer/director Rick Bieber for being somewhat creative there. A boy facing the darker aspects of his soul all too soon ...
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- By Loron Hays
In one of the better scenes of Leatherface, a superfluous prequel to Tobe Hooper’s The Texas Chainsaw Massacre, a young couple comes across what appears to be some sort of rotting animal along a lonely stretch of road. The girl (Lorina Kamburova) gets out of the truck ...
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- By Loron Hays
The woman in the center of the camera’s frame has just made a decision. She is going to return the money she stole. Satisfied, she picots away from the desk and walks into the bathroom. It is a clean, white place. The bathrooms in Alfred Hitchcock’s movies are ...
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- By Loron Hays
“Tradition. Without it, we are nothing,” suggests Sheriff Burnside (Gary Sturm) as he stands in front of his ragged townsfolk, delivering words he’s not had to change in over a decade. And they nod with approval. A man is nothing without deed to back up his words and ...
More Articles ...
- American Made - Movie Review
- Battle of the Sexes - Movie Review
- Different Flowers (2017) - Movie Review
- Welcome to Willits (2017) - Movie Review
- Friend Request - Movie Review
- American Assassin - Movie Review
- Rememory (2017) - Movie Review
- Ghost House - Movie Review
- Death Fighter - Movie Review
- Good Time - Movie Review
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Morbidly Hollywood
- Colorado Street Suicide Bridge
- Death of a Princess - The Story of Grace Kelly's Fatal Car Crash
- Joaquin Phoenix 911 Call - River Phoenix - Viper Room
- Screen Legend Elizabeth Taylor Dies at 79
- Suicide and the Hollywood Sign - The Girl Who Jumped from the Hollywood Sign
- The Amityville Horror House
- The Black Dahlia Murder - The Death of Elizabeth Short
- The Death of Actress Jane Russell
- The Death of Brandon Lee
- The Death of Chris Farley
- The Death of Dominique Dunne
- The Death of George Reeves - the Original Superman