Badass B-movies

Black RainbowThe mystery! The murder! Corruption inside America’s Bible Belt!  That’s the territory of Black Rainbow as writer/director Mike Hodges blends genres, creating a movie that takes on chemical plants and spiritual links to the After Life ...

The Flesh and the Fiends (1960)

Make no mistake about it, The Flesh and the Fiends is a righteous horror film, drooping left eye and all, as experimental vivisections rule the day. Lost men! Lost souls!  With no apologies issued to the dead, The Flesh and the Fiends begins in a spooktacular fashion as a body is torn free from  ...

Film Noir: The Dark Side of Cinema, Volume I

Because not everyone can be saved. Inspired by the Great Brink's Robbery of 1950, Six Bridges To Cross makes its targets known early: trigger-happy cops and unrepentant criminals.  Civil unrest.  That’s what happens when a police officer (George Nader) shoots a kid during a robbery ...

Film Noir: The Dark Side of Cinema, Volume I

An Act of Murder, in which a very uncompromising and stubborn judge learns a tough, tough lesson about guilt and morals, is perhaps one of the most forward-thinking film noir offerings in that it comes from the point of view of a man who defends a very strict and outdated view of law and  ...

Haunted Honeymoon...in which the Golden Age of Radio meets the Chiller Comedies of the 1940s.  No wonder Haunted Honeymoon was a box office bomb, but that doesn’t mean it needs to be ignored.  The film, with over-the-top characters and spooky atmospheres, is damn funny ...

Film Noir: The Dark Side of Cinema, Volume I

“Two gin slings . . . with ice.” With that famous line, Alan Ladd (Shane) as American pilot, Neale Gordon, begins to fall for Virginia Moore (Gail Russell, The Uninvited).  He doesn’t want to, but he can’t help himself.  Hell, one look at her engaging beauty and I would, too.  Holy cow is she a looker ...

Film Noir: The Dark Side of Cinema, Volume IOkay, so A Bullet for Joey, directed by Lewis Allen (Appointment with Danger, The Perfect Marriage) and starring Edward G. Robinson and George Raft, doesn’t exactly fit so tidily into the whole film noir genre, but that doesn’t keep it from sharing certain elements of that cinematic world ...

Film Noir: The Dark Side of Cinema, Volume I

From stunning, widescreen vistas in Colorado's Royal Gorge National Park to some deftly handled underwater scenes (filmed in Santa Monica, California), Big House, U.S.A. does not disappoint, going dark with the gruesome murder of a kid at the beginning  ...

Pretty in Pink (1986)

“You don’t want to go out.  You don’t want to go home.  What do you want to do, Andie?” The pink, volcanic ensembles.  The cast - Molly Ringwald, Harry Dean Stanton, Jon Cryer, Annie Potts, James Spader, and Andrew McCarthy - bringing their best acting to a BRILLIANT script ...

Film Noir: The Dark Side of Cinema, Volume I

Classic film noir - with its emphasis on atmosphere and futility - simply doesn’t get any more claustrophobic than in Cornel Wilde’s directorial debut, Storm Fear.  A classic thriller which has West (The Naked Prey) starring, producing, and directing  ...

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